Come To Jekyll Island For An Art Workshop!

5-Day Sketching Workshop

Work on location with Laure at Jekyll Island, see live demos on sketching birds, dolphins, beach treasures, native flora, fauna, the inescapable beach kitsch and more! You’ll receive a full color handout with step-by-step instructions on many of these subjects PLUS one-on-one feedback and help on your work.

The workshop will start each day at 9:30 a.m. and finish up in the late afternoon, leaving you with plenty of time to strike out on your own for a little exploring, relaxing, shopping or whatever your heart desires!

Jekyll Island

One of the four barrier islands along the coast of Georgia known as the Golden Isles, Jekyll Island has a long but quiet history. Guale and Muskogian Indian tribes once made their home on the island before it was discovered by Europeans in 1510. Eventually, the English gained occupation. The island was home to a number of plantations. 

In the late 1800’s, a plan was created to turn the island into a winter playground for the wealthy. Members joined the Jekyll Island  Club of one hundred patrons and began building “cottages.” These mansion-sized residences were the homes of the Rockefeller, Vanderbilt, Morgan, and Pulitzer families. They played and vacationed on the island up until World War II. 

After the war, the island was eventually bought by the state and the Jekyll Island Resort Club was opened in 1985 as a luxury resort hotel.   

For more information on Jekyll Island, please click here. For more information on the club, please click here.

Our Visit

Each day will have us exploring the island with time in the historic district, visiting the beaches, spending time with some turtles, enjoying the Mosaic Museum and nearby areas. 

We will be capturing these  visits and more in our sketchbooks so we can enjoy them long after we leave the island. 

Activities Galore!

Whether you’re into kayaking, hiking, walking, birdwatching, or simply soaking up the warmth of the sun, there’s plenty to do on the island and in the nearby areas of St. Simons and Brunswick!

Want To Join The Fun?!

Please click here to learn all the details and to download the Registration Form! As always, I hope you can join me as it's going to be soooo much fun! Please let me know if I can answer any questions. 

Arkansas Ozarks

Driving the Ozarks is always lovely. I had never been here in the winter before --- there is less color but it is still beautiful. Sketching in a moving truck proved a bit too bumpy so I snapped several photos through the windshield to sketch from later. I planned to sketch during our trip but we were too busy (or exhausted!) helping to move our friends from Arkansas to Kansas (both of them have dementia). So I am documenting the trip in my journal with some sketches from photographs.

...And this is why I need to carry more tools...

I used a new Metropolitan pen in the people, but went back to my beloved ancient Sheaffer for the plane...I love the line variety...

It seemed fitting to use a Chinese bent-nib pen on the gorgeous waterfall at the Las Vegas Zen Center; I added text with my 1960s Sheaffer pen, and a touch of watercolor back at our room.

My pens leaked on the plane, so I picked up a few disposables at Desert Art Supply in Henderson Nevada...ooops, this one wasn't waterproof, and lifted somewhat.  I always like to sketch in the early morning in the courtyard where we stay--Hawthorn Inn & Suites in Henderson.

I LOVE the subtlety of graphite--sometimes the emphatic lines of ink just don't cut it for me.  This was one of the bouquets from my sister's memorial bash--we rescued it and took it back to our hotel.  So...needed that Pentel Forte pencil, too.  And of course my watercolors, and a big brush...

Yep, more subtle pencil lines...and used a calligraphy pen on the lettering on the right, but I've decided it can stay home next time...

This was one of the disposable pens I picked up in Henderson...I figured I could sketch on the plane without leakage, if need be.  And I DO like brown ink--so far I haven't found one that works well in a fountain pen for very long (that's also water-resistant.)

Mostly used my new non-leaky Micron Pigma here--I'd meant to pack one at home but forgot.  The bit of the kitty was a colored pencil...I used it on another cat sketch I haven't scanned, too.  This is my sister and brother-in-law's beloved cat, Bohdi.

and I used the colored pencil again here--they're wax-based, don't smear, don't lift when you wash over them.  Plenty of time at the Denver airport to work, so I added color, then a few touches of ink, then a tiny graphite Joseph checking out our plane...

...so actually, there was nothing I'd taken with me that I didn't use, either in sketching or writing...and as usual, a few things I hadn't packed and bought in the art supply store!

My Everyday Journaling Supplies

It's always interesting to see what other artists consider necessary for their everyday journal work, so I thought I'd share mine...this is what survived after a recent trip to Nevada, and granted, I didn't jettison MUCH!  

This is what goes in my purse...which really ISN'T much of a purse, it's my field bag/traveling studio!  My usual retrofitted Prang box at the bottom, an old pencil case with a few tools, a sprayer that doubles as my water supply and the little collapsing bucket above it if I need more (I've never been able to find another one this small!)  Then in upper center the new Sharpie EF white, a couple of Micron Pigmas that don't mind changes in air pressure, a couple of colored pencils for sketching, and two waterbrushes.  (The flat one didn't actually go on the trip but I wished it had...)  A small vial of ink in the tiny bag and a pocket protector full of pens and one mechanical pencil...it all weighs in less than 2 lbs.

My old retrofitted Prang box makes me feel like a kid!  I've replaced the round brush with a better one from Black Gold, and that's a bamboo skewer for drawing with, like a pen.  These are my usual colors, except I've taken out the green: https://www.flickr.com/photos/cathy-johnson/8126242177/in/set-72157604173444404

Here's what goes in the pencil box, from the top...a 1" flat with the end sharpened, a #8 travel brush, a small bristle brush (also sharpened) I use for painting, spatter, or lifting; a toothpick and another skewer, a piece of credit card for scraping and the lightest possible pencil sharpener for those colored pencils, a piece of sharpened dowel rod and a small dip pen we found on eBay.  It's an antique!  (Sometimes a little piece of white vinyl eraser, too...)

Pocket protectors work great to corral my pens and a pencil!

A lovely array of pens and points...from left, my ancient Sheaffer, a Noodler's Creaper, a Creaper body with a Hero bent nib in it, another old Sheaffer for smoooooth writing (ok, I could leave it home), my Platinum Carbon Desk Pen cut short so it will cap, and my favorite Pentel Forte mechanical pencil.  (Here's the post in which I tell how I cut the Carbon Desk Pen: http://artistsjournalworkshop.blogspot.com/2011/06/yet-another-new-pen.html)

Yum.  Even if they DID leak in the plane...

It all fits in here...

And the front zipper pocket is all that actually acts as a purse!  Drivers' license and credit cards (and our wedding picture!), pills, salt and pepper, cell phone, mirror, comb, nail clipper...and when I'm not flying, a TINY Swiss Army knife...

Could I do with less?  Of course.  Am I likely to?  Um...not till the arthritis gets worse!  I might leave out that one pen...

I'll share some of my sketches in another post!

my travel sketchbook : the reality

On Thursday, October 11, 2012 I wrote my thoughts on this blog on creating a travel sketchbook

I had written that blogpost to gather my thoughts "on paper" on how I would approach my own travel sketchbook. I had entered the 2013 Sketchbook Project and chose the theme : Travelogue. At the time I decided to revisit my 2007 holiday to Paris, as if I was there, drawing as much then as I do now ! My sketchbook is based on my diaries, photographs I took and where I thought I would have drawn at the time, as well as souvenirs I bought. Although this is created in retrospect, all the time I thought how would approach future travel sketchbooks.

The journal can be viewed here Travelogue Paris 2007. Over the 18 double pages of the Sketchbook Project I experimented with composition, lettering, maps and came to some  conclusions about what and how I wanted to try and capture in my travel sketchbook journal.

In July this year I had three weeks holiday travelling to London and Barcelona, where I had the opportunity to put all of my thoughts and ideas in practice. I filled two Moleskine watercolour sketchbooks. This post is to review what worked (most things) and what didn't (a few things) in reality. I knew what I wanted to try and achieve and what was important to me on my holiday in my journal.
 
I am so incredibly proud of my holiday sketchbook journals  (see them on flickr: London and Barcelona) and each time I look at them (for example, to write this,) I relive my holiday and it gives me immense joy to see the pages. They are a unique holiday souvenir that will be with me for a long time.

Below are my original theories from the Sketchbook Project  and then the reality of how it worked when I was actually travelling, with examples

· it will be a combination of on the quick on the spot sketching and more detailed drawings

This worked so well - and gave life and an individual feel to my sketchbook.

on the plane Sydney to Hong Kong. a very quick sketch of people queuing for the toilets after a meal. A drawing of my dessert (a delicious ice cream bar) . I drew the ice cream for a while then as it began to melt, I ate it, making sure I opened the packet in an inconspicuous section. I then kept it after the attendant cleared the meals away and finished drawing it then

 

I use watercolour pencils and Lamy Safari Joy ink pen. I can combine these and have a few different styles of drawing that suit different opportunities, the time and place or my mood. The above sketch shows the two extremes.

 

 

· leave first page or two of each day blank – at end of day I could draw maps, streets walked that day, rail/metro routes caught.

I wish I remembered to do that each day . I often forgot to leave the first page blank and would not remember until I had started the first sketch . I would then leave the rest of the page free. Next time I will turn to the next blank page the night before and write in pencil on the page LEAVE BLANK. Two pages could easily be left for this

· draw objects such as tickets, souvenirs, food, headings also at the end of the day in my hotel room. There is time and space to draw. If there is a good view from the room, I can draw it everyday

view inside the hotel room and also looking out the window. This was drawn over two or three sessions, just a bit at a time

 

the leaf and seed were picked up in Hyde Park on this day. I sketched Royal Albert Hall on the spot and then left the space and drew a rough outline of the size and placement of the leaf and drew if at the hotel over the next day or two before it wilted

I stood across the street to sketch the printshop and then drew the books on the plane on the way home.

I had the feathers for a week and then realized that we were flying home the next day and could not take them back to Australia. Three feathers in one night !

   

I drew objects A LOT less than I thought I would, especially since that is a style of drawing I do a lot at home and get a lot of enjoyment out of. In reality, if I was working (that is the wrong word !) on my sketchbook in the evening, it was adding my notes, finishing off sketches by adding a bit more colour or line.

I was travelling with my mother and she was very patient with my sketching, and also appreciated quiet time for herself, while I sketched.

I was also very tired at the end of each day. It is part of being a tourist, walking and seeing a lot. We had 28 degrees in London each day and long summertime hours

 

· MAPS.If I colour the roads or areas between the road on a map I can match them with other colours I have used on the page, bringing it all together. 

the blue and green of the land and river on the map, matching the sky

 

 

The lettering on the page matching the blue of the Serpentine

 

 

just the basics

 

I am really happy with this combination

 

I have never been comfortable with maps I tried to add - too many streets, too messy  looking. But I do want to include maps of my travels. I experimented with a few different alternatives in my Paris Sketchbook project. In the end I have a basic mud map. I have included  the streets we walked down and different types of transport. I did not do a map for everyday - probably only eight in the whole book, but I was pleased with those that I did. They are a gentle reminder of how we get where we went

·  leave lots of white space – I can always fill it in later if it looks too sparse.

as mentioned  , I did not do enough of this .

·   write commentary about how I feel, think, react to things, smells, places but not too much. I will probably keep a separate diary.
 

I want to write too much and have to make decisions about what to include. Often the sketch tells the story and only a few other notes were added.

I feel as though I did not write enough on the moment of thoughts and feelings. It was not often the right time and place. Often I scribbled some thoughts in pencil on the page and left a block of space around it to expand on it later (in the evening at the hotel).

I still want to include something of the history or description of the place I am. But where to stop? In the end, my sketchbook journal is for me, not a history lesson, so I just need reminders of it's place and importance in history. And there is SO much history in London. I am overwhelmed by it.

· Re: buildings and vistas

I know how I draw at the moment. I am at ease drawing objects, food, paper. I am not so good at buildings and vistas. But architecture is an important feature of a city or town and so I want to include it , the trees, roads, sky. I have been considering how it is best for me to capture a scene with these in it. I want to create a little vignette., with a little character and insight, but not too much

-just try and draw a section

-leave the top, bottom or sides unfinished.- lines drifting off

- only colour some parts  

· don’t try and fill the page - only use part of the page

I filled the page in the vast majority of the time -so much to draw !!!

don’t try and get caught up in the detail and try and leave this to a " close up " drawing later if I get the chance

 

Writing this has helped me think about what I have learned about my sketching and myself when travelling. I know that sketching brings me do much pleasure. I hardly took any photographs and when I did they were of people (and then there are those 20 photos of squirrels for reference photos for drawing at a later date).

My art is growing and slowing evolving as I meet other sketchers, go to workshops. These travel sketchbooks seem to be the culmination of a series of events . It is an exciting journey in itself.

 

 

accordian-fold 'granny nanny' journal

I just returned from the second of two trips to Texas to provide childcare for some of our grandkids. For each trip, I sketched in one side of this accordian-fold journal, which I bought from Cathy 'Kate' Johnson on eBay last year -- I call it my 'granny nanny' journal.

The first side was done in March when our eldest son took a group of students to Alaska on a mission trip and I helped out at home with his kids, Jayna, Josiah, and Judah. Now I have just returned from Texas again -- this time staying with our daughter's daughter, Mikala, while her parents were in Scotland.

side 1 - early March in Richmond, TX

side 2 - June in northwest Houston

This journal form especially worked well when Mikala wanted me to draw her new kitten, Oreo. At 9 months old, this Maine Coon cat is already as large as my over-sized 11 year old Maine Coon, Bearcat! We decided that he was too big for one page to contain him . . . . so he takes up 3 pages, along with sketches from her volleyball workshop and a day we picked blackberries:

Individual sketches can be seen on my blog, in the March 2013 and June / July 2013 entries. I also took a watercolor Moleskine with me --- haven't finished posting the sketches from it yet.

Summer Classes at ImaginaryTrips.com!

Tuscan Gold
7.5 x 5.5 inches on Arches Cold Press 140 lb. paper
Watercolor

It's summertime and the travel is easy—just take an Imaginary Trip to a wonderful location and never leave home! No packing, no fatigue, no hassles with luggage or security lines.

Come take a look!

Imaginary Trip to Italy 2012 - Six weeks to visit the wonderful country of Italy. This class starts tomorrow, so hurry! More information can be seen here.

Imaginary Trip to Australia - This ALL NEW class starts this Thursday, July 11th. We'll take six weeks to travel around "down under!" You can sign up for the class here.

Imaginary Trip to New Zealand - Another ALL NEW class, we'll be headed to this fabulous country starting August 29th. Come and join the fun here.

Imaginary Trip to New Orleans - This city ROCKS! Come and join the fun starting September 3rd. For more information, click here.

I hope you'll join me on one of these fun adventures. The classes are very flexible and allow you to work on the assignments at your leisure so you can still get in plenty of playtime outside.

As always, we laugh, we learn and we come home with a great sketchbook full of the places we've seen, the things we've done and the experiences we've shared.

Please let me know of any questions you may have!

~ Laure

Travel sketchbook thoughts : Alissa Duke

Thoughts on creating myTravel Sketchbook

I have had these thoughts going through my head for a while and I wanted to put them in an organised version on paper. The catalyst has been the Sketchbook Project that I am working on this year (more about that later) and wanting to share my learning experience anyone else who is interested.

Looking back, I always enjoyed reading books that were illustrated travel journals and sketchbooks. I enjoyed them for their illustrations as well as reading about other people’s travels, They are always more interesting if they are about a city or country I want to or have visited, especially the United Kingdom ( I am in Australia) .

This interest began many years ago with books such as David Gentleman’s Britain (and many others in the series) and Fabrice Moireau sketchbooks, to more recently Taking a Line for a Walk by Christopher Lambert, An Eye on the Hebrides by Mairi Hedderwick and Lorette E Roberts Singapore. Secrets of the Lion City.  (and many many more books) . (I am looking forward to Danny Gregory’s upcoming book “An Illustrated Journey”).This is all pre-internet/self publishing era.  But these are usually edited, formatted, composed, cleaned up, lovely small font with commentary, they are quite lengthy and published after the journeyNow I have many online favourites, .
 
I realised that I wanted to create my own sketchbooks in my drawing style when I travel.. They would be a narrative, day to day, capturing my travels, whether local, interstate or overseas.. As the sketchbooks would be created as I travel, I won’t have the luxury of all of the above editing factors. But I do have the luxury of being able to have an approach in my mind, a concept of how to approach a page composition and what works for me. That is the stage I am at now.

For the past few years I have been drawing everyday in a Moleskine watercolour sketchbook, using watercolour pencils and/or ink. I draw at home, on buses, in queues, sitting on stairs, at cafes,. So I am comfortable with how and when where to draw.

I also know how I draw at the moment.  I am at ease drawing objects, food, paper. I am not so good at buildings and vistas. But architecture is an important feature of a city or town and so I want to include it , the trees, roads, sky. I have been considering how it is best for me to capture a scene with these in it. And people – people are the life of the city, so I must include them too.

Sketchbook travel Journals

I currently draw my pre trip preparation – drawing my packed bag, or things in preparation – my sketch-kit,  passport, currency. I also always draw at the airport, and on the airplane.( a good way to pass the time)  So I am comfortable with the first few pages of my travel sketchbook.

o   

o o   My current creative investigation is into I

I am entering the 2013 Sketchbook Project and have chosen the theme : Travelogue.Paris 2007.  I am revisiting my 2007 holiday to Paris, as if I was there, drawing as much then as I do now ! ..My sketchbook is based on my diaries, photographs I took and where I thought I would have drawn at the time, as well as souvenirs I bought. Although this is created in retrospect, all the time I thought how would approach future travel sketchbooks. I still have a few pages to complete, as it is not due to be sent away until January 2013.

The journal can be viewed here Travelogue Paris 2007

My Travel Sketchbook :my thoughts

Over the 18 double pages of the Sketchbook Project I have experimented with composition, lettering, maps., It is different paper and size of my usual sketchbook and I have had to squeeze five days into a limited amount of pages. have come to the following conclusions

•  it will be a combination of on the quick on the spot sketching and more detailed drawings

• leave first page or two of each day blank – at end of day I could draw maps, streets walked that day, rail/metro routes caught.

• draw objects such as tickets, souvenirs, food, headings also at the end of the day in my hotel room. There is time and space to draw. If there is a good view from the room, I can draw it everyday

• MAPS. If I colour the roads or areas between the road on a map I can match them with other colours I have used on the page, bringing it all together. Below are examples of maps and date experiments

 

 

• leave lots of white space – I can always fill it in later if it looks too sparse.

• write commentary about how I feel, think, react to things, smells, places but not too much. I will probably keep a separate diary. I have read a very good book by Dave Fox called “Globejotting : how to write extraordinary travel journals”. I am not a writer, but it had some great hints.

• Re: buildings and vistas
• just try an draw a section
• leave the top, bottom or sides unfinished.- lines drifting off
• only colour some parts
• don’t try and fill the page - only use part of the page
• it is like a little vignette., with a little character and insight, but not too much
• don’t try and get caught up in the detail and try and leave this to a " close up " drawing later if I get the chance

Reading over what I have written it seems a little pedantic in places but it has been a very valuable creative experiment.

Of course this is all very well in writing,

o