Sometime back I got a variety of papers from
Legion Paper,
and since I love bookbinding I put them all together under one cover
and bound them into a Sampler Journal...check out their Sampler
Department for a dizzying array of choices for all kinds of paper needs:
http://www.legionpaper.com/samples/
It's quite a big book with multiple signatures...and I left the stickers on the papers so I would remember what I was using!
I'm
only partway through this book...maybe 2/3--but I decided (since I'm
expecting more papers to test!) that it was time to share my impressions
thus far.
As usual, I am most interested in papers
that would work well in a journal, with a variety of mediums: fountain
pen as well as disposables, graphite pencil, colored pencil, watercolor
pencil, and of course, watercolor.
I generally enjoy a cold-press or its equivalent, but sometimes hot press and a bit of rough as well. I look for a pleasing surface that not only
looks but
FEELS good
with these varied choices--I prefer a tough surface that will take some
punishment, too. It's a lot to expect from a paper, but some of these
really stand out. I'll be ordering more for my next bookbinding marathon!
Some of these papers are not meant for watercolor, but pleased me mightily by working just fine for that medium. Loved them...
Other
papers are lovely for the purpose for which they were intended, but for
the way I work, not so much. A soft surface drives me crazy with its
tendency to drag both pens and pencil points, as well as absorbing
watercolor too readily. I think they're likely perfect for printmaking,
but not for my needs.
So...here are my findings so far, in no particular order or ranking--they're just how the ended up bound into the book, sorry.
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| Saunders
Waterford was quite nice with a variety of mediums...it's a watercolor
paper, with a slightly soft surface but very nice with ink as well. |
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| For
some reason colors dried lighter on the Waterford than I put them
down...that often happens with a paper with a lot of sizing, but this
was more than I'm used to. |
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| On
the other hand, these brush tests worked beautifully on the Waterford.
I'd give it a big thumbs up and remember to mix my washes stronger. |
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| I adore Drawing Bristol, I just do--always have. For a variety of mediums. WANT MORE. |
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| I
use Stonehenge a lot when I'm binding books, mostly because I love the
Kraft paper tan (this isn't it though...it's darker and warmer.) I was
disappointed to find ink feathering more than I expected, so I'll be
careful how I use it. |
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| It's delightful with dry mediums. though! Stonehenge stays in my arsenal. |
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| Somerset Velvet--not for me. Too soft, pens and colored pencils tend to drag on it. |
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| Arturo Cover on the other hand is wonderfully versatile! LOTS of thumbs up, and I definitely want more. |
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| I really didn't expect the Arturo Cover to work this well with juicy watercolor, but it performed like a champ. Love! |
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| More Somerset Velvet. Nope. Not for me. Way too soft. |
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| I
had three weights of Multimedia Aquarelle and loved all three! Great,
bright, strong paper, handled pretty much any medium I threw at it,
including a fine pen. |
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| This
is the lightweight 90 lb. Multimedia Aquarelle...I deliberately made a
wet, juicy wash to see how much it would buckle. Absolutely minimal!
The thinner, lighter paper would allow more pages and more signatures in
a journal. Thumbs up! |
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| Yep, I'm in love...brush testing on this page, pleased with how true the colors remained, too. |
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| MORE Multimedia Aquarelle. Must. Have. Gorgeous stuff, and truly multi-media. |
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| Folio, nope. Probably as its name suggests, a printing paper. It took pen okay but not all that exciting. |
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| Folio is definitely NOT pleasing with watercolor, the wet pigment soaks in and looks gray. |
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| Lanaquarelle, on the other hand--YUM. Same colors on this paper as on the Folio were much more vivid. |
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| Lovely with all these mediums, too. Ordering more... |
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| Ink wanted to feather on the Folio, especially if the pen writes rather wet/juicy. |
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| Sorbet
text is quite lightweight, and comes in rich color...fun for light
washes, a dryish application of gouache, or colored pencil, though. |
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| This
is Arches Cover, not their watercolor paper, but--I wasn't thrilled
with it for ink, either, it felt a bit soft. (But then I don't like
their watercolor paper...) It DID work well with a different pen, and
as always that makes a huge difference. |
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| Again, ink wants to feather some on Coventry Rag...not high on my list. |
So overall, for me...
not Arches
Cover, Coventry Rag, Folio, or Somerset Velvet, but the others have
definite possibilities for my artist's-journal keeping self! (As they
say, YMMV.)
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And this from Legion Paper's website...they're good folks and very helpful:
"It is our mission to continue to travel the world in search of
the most intriguing and best performing papers - from delicate handmade
papers that reveal striking texture and color with every sheet to the
most technologically advanced digital printing papers produced today.
Following [on their page] are just some of the mills that we represent. In
addition to these, we have over 40 other mills all over the world with
whom we work on a regular basis to have papers made to our, and our
customers', specifications."
If
any of these interest you as much as they did me, go to the Legion Paper
link, above, and then to the specific paper you want to know more
about. On each paper's page there's a "where to buy" link in the bottom
right hand corner!
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| Going there now...wheeee! |
(And yes, this is on my personal blog as well...wanted to share with you, too!)
