This was the view we looked upon. There was a small group of Buffleheads feeding in the water. I loved how their dives caused the olive green water to shimmer with the blue of the sky.
Viewing the scene for a few minutes is a great way to narrow down what really catches my eye, helping me to decide what to record in the journal.
The next page in my Stillman and Birn journal, that I've devoted to water scenes, was the right side of a spread. I didn't want to fill the entire page with a sketch so decided upon a smaller vertical image.
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The first thing I did was to secure a piece of foam core to the right side of the back of the journal. This made a great surface to hold the palette and less of a balancing act for me.
Next, I drew the vertical shape that would hold the watercolor sketch. Then added pertinent information for the day: date, time, temperature, where we were, and around the edge of the box, I started adding notes about any wildlife that crossed our path.
To me, the lightest color in the scene was the blue of the sky and water.
I knew that if I let most of the paper show through on the lower right corner, I'd stand half a chance at keeping the true color to the foreground grasses.
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Hopefully you can see the first layer of blue!
Now you can see the first layers of green water and the brown of the far shore's bank. While painting, the Buffleheads were diving away, always changing what the water looked like.
When painting plein air, light and water are ever changing. Once I've laid down the initial frame work of colors, I take a good look at the direction of the shadows. I will have to paint from memory in order to make the painting read true.
Final page, scanned.....
