A look at our own Liz Steel's current sketching tools!

Liz has branched out into teaching a range of workshops in her home country of Australia and abroad...and continues to sketch virtually every day, inspiring and delighting hundreds of us!


Check her blog for this post on her current sketching tools...
http://www.lizsteel.com/p/current-sketching-tools.html

Thanks, Liz, for letting us share here, too!

...And this is why I need to carry more tools...

I used a new Metropolitan pen in the people, but went back to my beloved ancient Sheaffer for the plane...I love the line variety...

It seemed fitting to use a Chinese bent-nib pen on the gorgeous waterfall at the Las Vegas Zen Center; I added text with my 1960s Sheaffer pen, and a touch of watercolor back at our room.

My pens leaked on the plane, so I picked up a few disposables at Desert Art Supply in Henderson Nevada...ooops, this one wasn't waterproof, and lifted somewhat.  I always like to sketch in the early morning in the courtyard where we stay--Hawthorn Inn & Suites in Henderson.

I LOVE the subtlety of graphite--sometimes the emphatic lines of ink just don't cut it for me.  This was one of the bouquets from my sister's memorial bash--we rescued it and took it back to our hotel.  So...needed that Pentel Forte pencil, too.  And of course my watercolors, and a big brush...

Yep, more subtle pencil lines...and used a calligraphy pen on the lettering on the right, but I've decided it can stay home next time...

This was one of the disposable pens I picked up in Henderson...I figured I could sketch on the plane without leakage, if need be.  And I DO like brown ink--so far I haven't found one that works well in a fountain pen for very long (that's also water-resistant.)

Mostly used my new non-leaky Micron Pigma here--I'd meant to pack one at home but forgot.  The bit of the kitty was a colored pencil...I used it on another cat sketch I haven't scanned, too.  This is my sister and brother-in-law's beloved cat, Bohdi.

and I used the colored pencil again here--they're wax-based, don't smear, don't lift when you wash over them.  Plenty of time at the Denver airport to work, so I added color, then a few touches of ink, then a tiny graphite Joseph checking out our plane...

...so actually, there was nothing I'd taken with me that I didn't use, either in sketching or writing...and as usual, a few things I hadn't packed and bought in the art supply store!

My Everyday Journaling Supplies

It's always interesting to see what other artists consider necessary for their everyday journal work, so I thought I'd share mine...this is what survived after a recent trip to Nevada, and granted, I didn't jettison MUCH!  

This is what goes in my purse...which really ISN'T much of a purse, it's my field bag/traveling studio!  My usual retrofitted Prang box at the bottom, an old pencil case with a few tools, a sprayer that doubles as my water supply and the little collapsing bucket above it if I need more (I've never been able to find another one this small!)  Then in upper center the new Sharpie EF white, a couple of Micron Pigmas that don't mind changes in air pressure, a couple of colored pencils for sketching, and two waterbrushes.  (The flat one didn't actually go on the trip but I wished it had...)  A small vial of ink in the tiny bag and a pocket protector full of pens and one mechanical pencil...it all weighs in less than 2 lbs.

My old retrofitted Prang box makes me feel like a kid!  I've replaced the round brush with a better one from Black Gold, and that's a bamboo skewer for drawing with, like a pen.  These are my usual colors, except I've taken out the green: https://www.flickr.com/photos/cathy-johnson/8126242177/in/set-72157604173444404

Here's what goes in the pencil box, from the top...a 1" flat with the end sharpened, a #8 travel brush, a small bristle brush (also sharpened) I use for painting, spatter, or lifting; a toothpick and another skewer, a piece of credit card for scraping and the lightest possible pencil sharpener for those colored pencils, a piece of sharpened dowel rod and a small dip pen we found on eBay.  It's an antique!  (Sometimes a little piece of white vinyl eraser, too...)

Pocket protectors work great to corral my pens and a pencil!

A lovely array of pens and points...from left, my ancient Sheaffer, a Noodler's Creaper, a Creaper body with a Hero bent nib in it, another old Sheaffer for smoooooth writing (ok, I could leave it home), my Platinum Carbon Desk Pen cut short so it will cap, and my favorite Pentel Forte mechanical pencil.  (Here's the post in which I tell how I cut the Carbon Desk Pen: http://artistsjournalworkshop.blogspot.com/2011/06/yet-another-new-pen.html)

Yum.  Even if they DID leak in the plane...

It all fits in here...

And the front zipper pocket is all that actually acts as a purse!  Drivers' license and credit cards (and our wedding picture!), pills, salt and pepper, cell phone, mirror, comb, nail clipper...and when I'm not flying, a TINY Swiss Army knife...

Could I do with less?  Of course.  Am I likely to?  Um...not till the arthritis gets worse!  I might leave out that one pen...

I'll share some of my sketches in another post!

new drawing pens and pencils

Having found the best pens to use on this handmade paper ___the Uni-ball Signo UM-151 gel ink pens___ I ordered a couple more colors of them. They are waterproof when used with watercolor, and come in .28, .38, and .5 nibs.

At Jet Pens, I also found these two pencils. The long 2-pointed Auto Point Turnpoint Mechanical Pencil has a .7 graphite lead at one end and a .9 red lead at the other. I thought I would replace the red lead with a softer 2B graphite for wider, darker pencil lines. The Ohto Wooden  Mechanical Pencil Mini is very tiny! Fits easily inside my favorite watercolor palettes for on-the-go sketching.

Current Tools - and New Travel Palette

I've been using a new palette lately and now like it enough to show and tell a bit about it :)


I'm always looking for a way to make my palette lighter, smaller and more flexible plus I enjoy playing with different set-ups of colors. After my Alaska adventure my friend mentioned an interesting artist and avid outdoor sketcher - Maria Coryell-Martin whose work is entwined with Alaska. I looked through her we-site and blog and really liked her palette shown on one of the photos and thought that I should write and ask a few question.


A few days later I realized that it would be very useful to have watercolor pans attached with magnets as I'd like to try changing colors and their position in my watercolor kit. I googled magnetic watercolor pans and... I was back at Maria's web-site!

Impatient me probably was looking at pictures, reading every other line in the best case - but now I noticed that she is selling these palettes :)

Below are some photos of my new set-up in action. In short - it's working great for me!



What I like most?
First - it's tiny! (photo above compares size of this credit card holder with my trusty Cotman Sketcher's Pocket Box.

Second - it clips very nicely to my sketchbook (this is 8.5 x 11 Alpha series Stillman&Birn - love them!). The cover of the kit and kit itself are so thin that I can close a book if I need to move or rush somewhere and have no time to pack.


Third - I can move my colors and add/exchange on the go. I like that pans are rather shallow so I can add fresh colors often.


Last but not least - pans are large enough for my flat brush to get in. I am showing flat Niji waterbrush on the photo below because many of you are familiar with it's size but I've been using my 1" with this kit happily!


And palette came with a nice little towel - which soaks up incredible amounts of water.

Moleskine books get second life

Moleskine books get second life, a photo by apple-pine on Flickr.

I got a few cahiers moleskine books (3.5 x 5.5) at some point - I carry one with me all the time in little waist pouch. I sketch in it if my main sketchbook is unavailable or if I need to be more discreet. And then I tear pages and post them in my main sketchbok as continuity of my sketchbook notes is rather important for me. I liked the size and simplicity of the paper - nothing intimidating :) Easy to share with kids around :) But I use a lot of them and they are pricy... So I decided to try this: use their inconspicuous cover (with a little pocket), put some plain, cheap paper inside, bind as simply as possible and see if these will work in the same way.
I filled first book rather quickly and now I am thinking about gluing it as a whole in my main sketchbook - it's basically filled with one story - I drew in it while on the chair lift during recent skiing trip :)
So I need more experiments to see if my hand-made moleskines-alike books would work in the same way as pricy ones :)
I made a few more today for myself and my sketching companion :)
If you ask me why not use just simply separate pages - I tried - but the feeling of the book in my hand is so much better :)

March 2012: New Sketchbook Trial

March 2012: School Yard, a photo by apple-pine on Flickr.

This time I am trying XL Mix Media sketchbook from Canson. This was the very first page and you can see that one watercolor layer made this paper buckle and so far I was not able to lift anything when painting with watercolors in this sketchbook: everything is absorbed immediately.One layer works great - but as soon as you do more - it turns grainy. I tried color pencils and different pens and they worked great so far. More scans so come :)

Three Experiments

March 2012: Experiments, a photo by apple-pine on Flickr.

I tried three things this month: watercolor book from Pen&Ink and Hero fountain pen (Hero M86 Calligraphy Pen) with Noodlers Lexington Gray Booletproof ink. The combination of all three is a major failure...

Pen& Ink paper is not taking watercolors well and all Lexington Gray is blotching ugly. Even the thinnest line in a few seconds becomes a lichen-covered stick. And no booletproof ink is waterproof or water resistant on this paper. It's not even smudge proof! So I am very disappointed with this sketchbook and will not use this paper again. Though ballpoint works great on it :)

Hero pen is something I need to learn how to use - but it's a lot of fun to experiment with! Variety of lines is amazing!

I do not have anything to say about Lexington ink as I am waiting for a better paper to try it on :) My previous experiments included watering down black inks to get some gray and they worked fine - but this might be more consistent in the long run.

January 2011: Evening Apples and Pen Experiment

January 2011: Evening Apples and Pen Experiment, a photo by apple-pine on Flickr.

Actually there were some pears in this glass bowl too :)

I recently acquired a new pen: it's a gel pen form Pilot and it 's called Frixion - you can erase it. But wait - the most interesting thing is that if you freeze the paper with some lines erased, they COME BACK! It was a major hit among my sketching pals this holiday season - our freezer was filled with notes to each other, Santa, martians and neighbor's cats.

But for me the lure was in it's not-so-black color and I wanted to see how it will work with watercolors, especially how erased lines would work with watercolors :)

So here is my experiment: the pen is waterproof and has a varied density of ink as you make lines (which might be frustrating but I like these little surprises). It can be erased from under watercolors too - but little trace of empty paper stays as I expected (see the area in the shadow right under the bowl). I am not sure how it will survive exposure to light and time I am not planning on using it constantly (imagine all the lines you ever erased coming back if you sketchbook travels with you to Norway) but it's a fun thing to play with and now

Publish Post

I am ready to make a treasure map - even on a very short notice!

Water containers for journaling on the spot...

I've been experimenting with our friend Richard Sheppard's great idea of using palette cups for travel sketching.  (If you haven't seen his Flickr, it's here--have fun!)

Richard is the author of The Artist on the Road: Impressions of Greece and if you love travel journals AND bright fresh watercolors, you'll enjoy this one as much as I did!  It's in my permanent collection now...

You can see that the cups, either single metal ones or double plastic, here, will clip to several types of palettes...

An added advantage here is that the clip itself raises the mixing area so that it's much flatter, when laid on a firm, flat surface (you still need to watch spilling if you're holding this in your hand by the loop on the back though...)

It will fit on my old folding plastic palette, too...very versatile!  Of course these don't hold much water, even the double ones, so if you're painting larger than, say, 7" x 10" you're going to want a source of more.  I like the doubles because I have a source for mixing and a source for rinsing my brush...if I remember which one to dip into!

I used the single metal cup and my small palette when doing this double spread in my current journal, and it worked great!  (Too bad I didn't remember to shoot my painting setup!)

Here's Richard's own kit, beautifully done in his signature style:

Thanks for the inspiration, Richard!

October 2011: Enhancing my Watercolor Kit

October 2011: Enhancing my Watercolor Kit, a photo by apple-pine on Flickr.

I love this small watercolor set from Winsor & Newton. I get much done with it - somehow it's not intimidating me - or people around me. But I was spoiled by some additional colors I got to play with recently. Carry another box? Too much...

I recently learned about sugru - which is basically a play-dough for lasting inventions. It's as easy to use as play-dough, sticks to almost anything and when dry is waterproof, ready for cold or hot, flexible, strong - basically you can make your custom whatever from silicone. And you can remove it with a knife and some rubbing when you want to change things :) Their motto is "hack things better" %)

So - looked at my watercolor box and notices this wonderful place for brush that came with the set (original brush is long since drowned in some river and the space is too small for any brush I like ;) And I made some partitions :) That's it - now I have some colors I use rarely but enjoy having for a special mix or accent. I might play with the sizes of the wells at some point - but this is what I have today.

Experiencing Stillman and Birn Alpha Series Sketchbook

I heard about new sketchbook maker and all comments were quite good. The name kept popping up  and eventually I did a google search, found Stillman and Birn web-site and then found them on facebook too. I wrote and e-mail to the manufacturer trying to see if any local shops carry these books  and made a note to order one sooner or later online - but then received an e-mail that a wonderful gift is coming my way! It was Alpha Series sketchbook, hardbound, 5 1/2 x 8 1/2 - it became my sketchbook #59 and I spent about 6 weeks with it in my bag. Long story short - it's a great sketchbook to work with - my main adjustment would be the size - it seems that I enjoy larger books lately :)

Cover withstood some vigorous activities, was subjected to kids running over it (by accident), heavy and not so heavy rain, kitchen table and sandbox adventures, sticker attack, not to mention normal wear and tear and now that I am about to deposit it on the shelve - it looks great - not a scratch.

Paper worked very well with dry - and water media - I worked with watercolors, acrylics, multiple inks and gouache and in all cases buckling was well within expected amount for this weight of the paper (100 lb).  I used markers, all kinds of pens, some collage as well. Paper was reasonably responsive to lifting and multiple applications though in some cases uneven in the way pigment settled in: I would do a single brushstroke wash, try to lift something and see that part of the edge is still editable where another part is not. It adds some personality to the page and can be incorporated nicely - you just need to be ready sometimes.

My problems were surprising: waterproof inks (and permanent watercolors for that matter) were not exactly waterproof unless I waited for ink to settle for a long time. And during first 1-1.5 minutes even the most waterproof and smudge-proof ink was smudging badly. It happened with Uniball pens, Pentel Pocket Brush pen, dip pen with Noodlers ink, pitt pens and brush-pens - the only pen that was working without a glitch was the cheap ballpoint I love so much :) So - some smudging and some not-so-waterproof adjustment was needed - and for someone drawing quickly it took me some time - but I had a lot of fun in the process:

(these are obviously not all 124 pages I filled - lots of private notes and experiments took place there - but you still can see some results ;)

July 2011: Organizing

July 2011: Organizing, a photo by apple-pine on Flickr.

I find it very interesting to look at your work at large and for that Flickr has some great tools! For example: I am reorganizing all my images and see that I am drawing some unexpected things much more than I thought :)

And I used to carry much less in my bad... Here is a link to my "Process and Tools" folder :)
http://www.flickr.com/photos/23173190@N07/sets/72157606244662915/

My Special Winter Gear

My name is Nina Khashchina, you might know me on Flickr or in Urban Sketching or Nature Sketching community as Apple-Pine. And I will do a proper introduction post later - when Kate has me scheduled :) but for now I wanted to share some of my winter gear secrets.

I live in one of the warmest winter climates out of all correspondents of this blog: Silicon Valley, California. Though I know what a real winter is: today thermometers showed 14F in the town where I grew up and it can get much much colder there. So Silicon Valley feels very warm to me in comparison. But sketching during winter is tricky nonetheless.

First thing I use and would recommend is fingerless gloves. Mine have a mitten attachment which warms up my fingers in between sketching :)

Second thing I find very useful is a baseball hat with light built in. Mine has white, bright white and - the most useful - green light. It gets very dark very early - these days many of my park adventures happen or end in darkness - and this hat allows me to a) be seen by my companions, bikers etc. b) Draw :) Green light is very soft on my eyes while they switch between the object and my sketchbook - though I do quite a bit of blind contours anyways. Too bad my hat is not very warm - I look pathetic with baseball hat over knitted beanie - good thing people around me see only my lights ;)

Here is a sketch of my gear:


And here is a couple of sketches done with my gear: