their work and words, interviews, blogs, images, hints, tips, websites
and more...
Showing posts with label brush pens. Show all posts
Showing posts with label brush pens. Show all posts
Sunday, December 1, 2013
Pentel Brush Pens—Variety and Use
Above: Quick Sketch (television actor) made in a Fabiano Venezia 9 x 12 inch journal using a pigmented fine-tipped Color Brush pen from Pentel. (And attacking the lines immediately with a waterbrush.) Click on the image to view an enlargement.
Besides the fabulous Pentel Pocket Brush Pen, Pentel makes several other brush pens—some with pigmented inks, some with dye-based inks. Some of the inks are water-soluble, others aren't.
I get questions all the time from students about all these pens. When I first started blogging in 2008 one of my early product reviews (in 2009) was a comparison of the Pentel Pocket Brush Pen and the Pentel Color Brush Pen.
Students were using a black Color Brush and wondering why they weren't getting the same results I was getting when I used a Pentel Pocket Brush Pen.
There are so many factors involved in getting repeatable results, so many variables that alter our artistic outcomes (variables with tools and materials, not even method and approach). It's nice to know at the beginning which tool you'll have the best chance of success with, for a certain effect.
Because of that, and because I have in the past several months, over the summer and fall, been playing with many more brush pens than my usual standby the Pentel Pocket Brush Pen, I wrote the lengthy post "RozWoundUp: Pentel Brush Pens—Which Are Which and What Type of Inks do They Hold?"
You can see the full discussion of the Pentel family of brush pens at that link. I include photos of the packaging used at the stores in my area (packaging my differ in your area).
If you don't have time or inclination to dive into the entire examination of these pens the brief breakdown is this:
•Pentel likes to use Color Brush in the names for several different pens, that look similar, but contain different inks (some pigmented and some dye-based and fugitive).
•Read the labels and if you want lightfastness go for pigmented inks.
•Realize that pigmented inks in Pentel Brush pens are probably not going to be water-soluble. However, I've had great luck working quickly and then working over lines with a waterbrush—all while working on heavily sized paper upon which the ink floats long enough for me to dilute it.
•Realize that the fun factor is high in brush pens even if they are filled with dye-based, fugitive inks. If you enjoy using such a pen and it gets you to sketch all the time, by all means keep using it, keep sketching, and just remember to scan all your finished art and treat the digital files as your originals—and back up your digital files.
Brush pens should be an essential part of your drawing practice—they are just too much fun. They help us see mass quickly, make graceful (and sometimes not so graceful) lines, help us edit details to essentials, and aid us in seeing pattern and design. They help some artists to speed up, and slow other artists down. They really are that versatile.
With so many choices available it's time you started testing some of them out.
Friday, April 13, 2012
Working with the Pentel Pocket Brush Pen
![]() |
Pentel Pocket Brush Pen Sketch and watercolor . Click on the image to view an enlargement. |
Today I posted the first in a multi-part series on getting used to the Pentel Pocket Brush Pen. If you have one of these pens but haven't used it much, or have seen people using them and wondered if the pen might be for you, check out the post and the series (there will be at least 4 more on the Pentel Pocket Brush Pen in future weeks).
I'm also hoping to get some videos up so that you can see me drawing with the pen (but International Fake Journal Month is making my life a little full right now).
You might ask yourself, "Why would I ever use a brush pen? There doesn't seem to be any control, the lines are so dark…" and so on.
It isn't for everyone. But as with any tool practice will give you greater control. I'll also show ways you can work with its lines and paint in later segments.
I believe you owe it to yourself to at least give it a try because it might just be the increase in line vocabulary for which you're looking.
I'm not in anyway connected with Pentel or anyone who sells these pens. I just like to see the happy smiles on the faces of people when they pick one up and begin to sketch with it.
Why the Pentel Pocket Brush Pen? It's got individual synthetic hairs that make up a resilient and springy tip that allows you to have sweeping as well as dry brush strokes. One friend admitted he'd never tried the PPBP because other brush pens he'd tried had no body in the brush tip. He walked out of my studio with one and has been using it ever since. While I can't give everyone in the world one of these pens (I wish I could, but I can't) I can let people know how fun it is to use.
(Note: I have also found the tip to be long-lasting. I use my PPBP daily, sometimes for several hours at a time and my pens last a long, long time.)
Also it has rich black ink which is waterproof (immediately on most papers depending on the paper's sizing) and that means you can paint over it right away with your watercolor or gouache washes.
I have always been a rather tight and detail oriented sketcher. OK, let's just say fussy. I typically use a dip pen or a fine point pen of some sort. The switch to the brush pen was massive for me because it meant darker bold lines. But I embraced the difference because it gave me access to quick sketching on a larger scale and because it helped me hone my editing capabilities. While I have more editing work to do in my sketching (and I'll enjoy every day of it) I have found that using the PPBP has actually improved my work with other pens as well.
And it's a great way to warm up and let your hand move across the page.
For all those reasons I think you should give the PPBP a try. For the next several weeks I'll be posting a new Project Friday with different exercises for using this pen.
I urge three things on people: Chocolate Chocolate (not a typo) Cake from Cafe Latte, journaling (both written and visual), and using a PPBP. All three are great fun. It can also be argued that all three are addictive. But the last two can only have a positive effect! I hope you'll give the PPBP a try.
Don't Be Confused: Some people are confused by the various pens that Pentel makes. Here is a post I wrote about two of Pentels brush pens: The Pocket Brush and the Color Brush. You'll find out pros and cons for both there.
At the end of last year I started using Pentel's Aquash Brush Pigment Ink Filled Brush (I know, I know, but it is what it says on the package and you have to add the Pigment Ink Filled bit because they also call their waterbrush, which is empty, Aquash). I will have something more to say about this brush pen in my series on getting used to the PPBP, but in the meantime you can read my adventures of first using it by using my blog's search engine to look for "Aquash" posts.
Subscribe to:
Posts (Atom)