my travel sketchbook : the reality

On Thursday, October 11, 2012 I wrote my thoughts on this blog on creating a travel sketchbook

I had written that blogpost to gather my thoughts "on paper" on how I would approach my own travel sketchbook. I had entered the 2013 Sketchbook Project and chose the theme : Travelogue. At the time I decided to revisit my 2007 holiday to Paris, as if I was there, drawing as much then as I do now ! My sketchbook is based on my diaries, photographs I took and where I thought I would have drawn at the time, as well as souvenirs I bought. Although this is created in retrospect, all the time I thought how would approach future travel sketchbooks.

The journal can be viewed here Travelogue Paris 2007. Over the 18 double pages of the Sketchbook Project I experimented with composition, lettering, maps and came to some  conclusions about what and how I wanted to try and capture in my travel sketchbook journal.

In July this year I had three weeks holiday travelling to London and Barcelona, where I had the opportunity to put all of my thoughts and ideas in practice. I filled two Moleskine watercolour sketchbooks. This post is to review what worked (most things) and what didn't (a few things) in reality. I knew what I wanted to try and achieve and what was important to me on my holiday in my journal.
 
I am so incredibly proud of my holiday sketchbook journals  (see them on flickr: London and Barcelona) and each time I look at them (for example, to write this,) I relive my holiday and it gives me immense joy to see the pages. They are a unique holiday souvenir that will be with me for a long time.

Below are my original theories from the Sketchbook Project  and then the reality of how it worked when I was actually travelling, with examples

· it will be a combination of on the quick on the spot sketching and more detailed drawings

This worked so well - and gave life and an individual feel to my sketchbook.

on the plane Sydney to Hong Kong. a very quick sketch of people queuing for the toilets after a meal. A drawing of my dessert (a delicious ice cream bar) . I drew the ice cream for a while then as it began to melt, I ate it, making sure I opened the packet in an inconspicuous section. I then kept it after the attendant cleared the meals away and finished drawing it then

 

I use watercolour pencils and Lamy Safari Joy ink pen. I can combine these and have a few different styles of drawing that suit different opportunities, the time and place or my mood. The above sketch shows the two extremes.

 

 

· leave first page or two of each day blank – at end of day I could draw maps, streets walked that day, rail/metro routes caught.

I wish I remembered to do that each day . I often forgot to leave the first page blank and would not remember until I had started the first sketch . I would then leave the rest of the page free. Next time I will turn to the next blank page the night before and write in pencil on the page LEAVE BLANK. Two pages could easily be left for this

· draw objects such as tickets, souvenirs, food, headings also at the end of the day in my hotel room. There is time and space to draw. If there is a good view from the room, I can draw it everyday

view inside the hotel room and also looking out the window. This was drawn over two or three sessions, just a bit at a time

 

the leaf and seed were picked up in Hyde Park on this day. I sketched Royal Albert Hall on the spot and then left the space and drew a rough outline of the size and placement of the leaf and drew if at the hotel over the next day or two before it wilted

I stood across the street to sketch the printshop and then drew the books on the plane on the way home.

I had the feathers for a week and then realized that we were flying home the next day and could not take them back to Australia. Three feathers in one night !

   

I drew objects A LOT less than I thought I would, especially since that is a style of drawing I do a lot at home and get a lot of enjoyment out of. In reality, if I was working (that is the wrong word !) on my sketchbook in the evening, it was adding my notes, finishing off sketches by adding a bit more colour or line.

I was travelling with my mother and she was very patient with my sketching, and also appreciated quiet time for herself, while I sketched.

I was also very tired at the end of each day. It is part of being a tourist, walking and seeing a lot. We had 28 degrees in London each day and long summertime hours

 

· MAPS.If I colour the roads or areas between the road on a map I can match them with other colours I have used on the page, bringing it all together. 

the blue and green of the land and river on the map, matching the sky

 

 

The lettering on the page matching the blue of the Serpentine

 

 

just the basics

 

I am really happy with this combination

 

I have never been comfortable with maps I tried to add - too many streets, too messy  looking. But I do want to include maps of my travels. I experimented with a few different alternatives in my Paris Sketchbook project. In the end I have a basic mud map. I have included  the streets we walked down and different types of transport. I did not do a map for everyday - probably only eight in the whole book, but I was pleased with those that I did. They are a gentle reminder of how we get where we went

·  leave lots of white space – I can always fill it in later if it looks too sparse.

as mentioned  , I did not do enough of this .

·   write commentary about how I feel, think, react to things, smells, places but not too much. I will probably keep a separate diary.
 

I want to write too much and have to make decisions about what to include. Often the sketch tells the story and only a few other notes were added.

I feel as though I did not write enough on the moment of thoughts and feelings. It was not often the right time and place. Often I scribbled some thoughts in pencil on the page and left a block of space around it to expand on it later (in the evening at the hotel).

I still want to include something of the history or description of the place I am. But where to stop? In the end, my sketchbook journal is for me, not a history lesson, so I just need reminders of it's place and importance in history. And there is SO much history in London. I am overwhelmed by it.

· Re: buildings and vistas

I know how I draw at the moment. I am at ease drawing objects, food, paper. I am not so good at buildings and vistas. But architecture is an important feature of a city or town and so I want to include it , the trees, roads, sky. I have been considering how it is best for me to capture a scene with these in it. I want to create a little vignette., with a little character and insight, but not too much

-just try and draw a section

-leave the top, bottom or sides unfinished.- lines drifting off

- only colour some parts  

· don’t try and fill the page - only use part of the page

I filled the page in the vast majority of the time -so much to draw !!!

don’t try and get caught up in the detail and try and leave this to a " close up " drawing later if I get the chance

 

Writing this has helped me think about what I have learned about my sketching and myself when travelling. I know that sketching brings me do much pleasure. I hardly took any photographs and when I did they were of people (and then there are those 20 photos of squirrels for reference photos for drawing at a later date).

My art is growing and slowing evolving as I meet other sketchers, go to workshops. These travel sketchbooks seem to be the culmination of a series of events . It is an exciting journey in itself.

 

 

Books We Like! -- A brand new page

Hi, all!

Just wanted to let you know I've reorganized the blog a little, removed the bookshelf from the sidebar at right and added a brand new page--well, THREE of them, actually, so far--of books I think you'll find useful.  You'll find it at the top of the page, or click this link: http://artistsjournalworkshop.blogspot.com/p/books-we-like.html

Yep, there are some of mine (though not all those pictured above) but a LOT more from people whose work I love and have learned from.  (What can I say, that was the quickest photo I could find that had a lot of books! :-D )

You'll find artists, journalers, watercolorists, travel journals, calligraphy, how-to and much more.

There's an arrow at the bottom of these links to let you know there's more to come, and I set them to shuffle, so you don't see the same thing all the time, when you open the page. (If you don't see a favorite, look on page 2 or 3--or whatever!) 


I'll be adding to these as I go along...if you have particular favorites, please let me know and I'll check them out!

The Challenge of Sketching and Painting Snow

The challenge of sketching snow in a journal is an ongoing dilemma, as it tends to show up flat and non-descript unless there are some lively contrasts around it. Living in Western Colorado, I have a lot of opportunities to try my hand at winter scenes (way too many!). Today we woke to about 4 new inches of snow on the ground. The landscape was magical--everything turned into a Winter Wonderland, sparkling white. A hush enveloped the land. The sky and ground were essentially the same color (white-ish) and the snow-laden trees, grasses, and cattails were coated with mounds of pure white fluff. This was the view from my front window this morning, looking out across our acre, our neighbor's log home, and the fields beyond. But I was so overcome with the beauty of it all, I had to sketch it during my morning tea.

I was lucky enough that the next page in my journal happened to be tan (I bind my own journals and sometimes mix papers in them), and I knew it would make the snow stand out against the dark background. I whipped out my portable gouache palette and used a Derwent Blue-Grey colored pencil to sketch the basic shapes in, then laid in swashes of white gouache. The gouache covered the tan paper, but an interesting contrast of tones developed from different areas where the background showed through. (The paper was Rives BFK 104 lb. tan) I liked the effect. And of course, the more you look, the more you see the different shades of grey, blue, green, brown, and other colors reflected in the snow. I used the blue-grey pencil and a dark brown one to add details and shading. My very peaceful, pristine scene was captured in the journal without much fuss, thanks mostly to white gouache, that versatile paint that can be applied thickly or watered down easily. Now what will I do on the next page, which is white?

Pool Party Birthday!

This was the new Noodler's Flex nib pen with watercolor...Platinum Carbon Black ink.

You do need to wait a minute or so when you're using a heavy application of ink, on this paper (Fabriano HP) to let it dry thoroughly, because it doesn't sink into the paper.

 

I do love those lines!  

Here's a comparison with my beloved old vintage Waterman 152, from the 1920s...it was almost out of ink, so the lines are lighter, but you can see almost the same variation in line is possible...

Overall, very happy with the pen, as well as with that ink!